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Maloney, Evan, Consuming Art, Art Monthly, no. Egan, Fiona, Born to be Wild: the Motorcycle in Australia, Penrith Regional Gallery, 2009, pp. Jessica Housand-Weaver, Carbon Culture, Media Solutions USA, Issue 1, Fall 2014, Cover front & back, pp. Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F Johnson Museum of Art Cornell University, Ithaca, USA.
Project Grant, Australia Council. Linda Hertzman, Bild I Skolan, Swedish Teachers Union, 40909, p. 26-27. Palmer, Daniel, Patricia Piccinini, Frieze: Contemporary Art and Culture, Issue 65, 2002, p. 93-94. Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003, p. 113. Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007, pp. Webb, Caroline, Young Collectables, The Age, 37037, Today p. 1. Diagnose [Kunst]: Contemporary art reflecting medicine, Kunstmuseum Ahlen, Ahlen, Germany. Hatanaka, Minoru, Plasticology, InterCommunication, no. Deliquescence, First Draft Gallery, Sydney, Australia. The Observer, Haunch of Venison, London, UK. Lucy doll and penelope kay jewelers. Terra Mirabilis: Wonderful Land, Centre for Visual Arts, Cardiff, Wales. Israel, Glenis, Senior Artwise 2: Visual Arts 11-12, Jacaranda, 2004, pp.
Mitzevich, Nick, Newcastle Region Art Gallery: Highlights from the Collection, Newcastle Region Art Gallery, 2005, p. 63. Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, pp. McFarlane, Robert, Looking to the Future, The Sydney Morning Herald, 29-Aug-1996, p. 11. Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005, pp. Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, 39934, p. Lucy doll and penelope kayak. 8. Bild I Skolan, En Ingang I Samtidskonsten, Swedish Teachers Union, 40909, p. 26-27. The Touch of Another, Warrnambool Art Gallery, Warrnambool, Australia. Patricia Piccinini, Hosfelt Gallery, San Francisco, USA. Glueck, Grace, The line between species shifts and a show explores and move, The New York Times, 44434.
Cookes, Thomas, Multimedia Spawns Art, The Age, 13-Jul-1995, p. 21. Weyns, Sara, Long Live Sculpture, Middelheim Museum, Antwerp, 2006, p. 13, pp. Perram, Richard, Home Goal (Exhibition catalogue), Bathurst Regional Art Gallery, 2006. Lady penelope doll to buy. Consciousness, Kibla Portal, Kibla, Slovenia. Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998. Laura Baigorri Ballarín, Sense and Responsibility: A Bioethical Perspective on Experimental Creation, Hipatia Press, Vol 2, Number 2, 2014, pp. Thomas Macho, Das Schwein, Agora 42, 44424, pp. 8, 140, 142-3, 162-7, 187, 189. Tony Ellwood, Ten Years of Contemporary Art. Nothing Natural, Latrobe Regional Gallery, Morewll, Australia.
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Some companies charge a decent amount more ($25-$30), but $20 seems to be about the minimum. Compare this to the trash company itself that can make each stop last less than a minute and has very little drive time between stops if they have every house on the street. This would yield $22, 000 in revenue at a $20 monthly fee. Garbage can cleaning trailer for sale. The process is pretty simple. I had a plan to purge _most_ things from the west side of my garage so I…. That would be 1100 households signed up for monthly service. You just can't get past the fact that trash and recycling bins are disgusting and they smell.
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